Ars Goetia
Goetic Demons—
- King Baal
- Duke Agares
- Prince Vassago
- Marquis Samigina
- President Marbas
- Duke Valefor
- Marquis Amon
- Duke Barbatos
- King Paimon
- President Buer
- Duke Gusion
- Prince Sitri
- King Beleth
- Marquis Leraje
- Duke Eligos
- Duke Zepar
- Count/President Botis
- Duke Bathin
- Duke Sallos
- King Purson
- Count/President Marax
- Count Ipos
- Duke Aim
- Marquis Naberius
- Count/President Glasya-Labolas
- Duke Bune
- Marquis/Count Ronove
- Duke Berith
- Duke Astaroth
- Marquis Forneus
- President Foras
- King Asmodeus
- Prince/President Gaap
- Count Furfur
- Marquis Marchosias
- Prince Stolas
- Marquis Phenex
- Count Halphas
- President Malphas
- Count Raum
- Duke Focalor
- Duke Vepar
- Marquis Sabnock
- Marquis Shax
- King/Count Vine
- Count Bifrons
- Duke Uvall
- President Haagenti
- Duke Crocell
- Knight Furcas
- King Balam
- Duke Alloces
- President Caim
- Duke/Count Murmur
- Prince Orobas
- Duke Gremory
- President Ose
- President Amy
- Marquis Orias
- Duke Vapula
- King/President Zagan
- President Volac
- Marquis Andras
- Duke Haures
- Marquis Andrealphus
- Marquis Cimejes
- Duke Amdusias
- King Belial
- Marquis Decarabia
- Prince Seere
- Duke Dantalion
- Count Andromalius
The *Ars Goetia* (Latin, probably: “The Howling Art”), often simply called the *Goetia*, is the first section of the 17th century Grimoire *Lemegeton Clavicula Salomonis*, or *The Lesser Key of Solomon*. Much of the text appeared earlier, with some material dating to the 14th century or earlier.
The circle and triangle, used in the Evocation of the seventy-two spirits of the Goetia. The magician would stand within the circle and the spirit was believed to appear within the triangle. Some believe that the central circle of the triangle was actually a Magick mirror, similar to a crystal ball as used for scrying.
It contains descriptions of the seventy-two demons that King Solomon is said to have evoked and confined in a bronze vessel sealed by Magick symbols, and that he obliged to work for him. It gives instructions on constructing a similar bronze vessel, and using the proper magic formulae to safely call up those demons. The operation given is complex, and includes much detail. The ‘howling’ of the title is believed to refer to the incantations made by the conjuror. The *Ars Goetia* differs from other goetic texts in that the entities summoned are to be compelled into obedience, rather than asked for favors.
The *Ars Goetia* assigns a rank and a title of nobility to each member of the infernal hierarchy, and gives the demons’ ‘signs they have to pay allegiance to’, or seals.
The lists of entities in the *Ars Goetia* correspond (to high but varying degree, often according to edition) with those in the *Steganographia of Trithemius*, circa 1500, and Johann Weyer’s *Pseudomonarchia Daemonum* an appendix appearing in later editions of his *De Praestigiis Daemonum*, of 1563.
A revised English edition of the *Ars Goetia* was published in 1904 translated by Samuel Liddell MacGregor Mathers, with an introduction by Aleister Crowley. It includes the Bornless Ritual, the seals of the spirits, their physical descriptions and actions. There are drawings done by Crowley for some of them. It has since become a relatively well-known book of magic (arguably, the most popular of the grimoires) and has even been featured in places like the graphic novel Promethea by Alan Moore.
Goetic Demons
The demons’ names (see sidebar) are spelled differently in different extant copies of the *Ars Goetia*, as is common in texts of the period. Other spellings of the names are given in the articles concerning them.
References
- Wikipedia (2005). *[Ars Goetia](http://en.wikipedia.org/wiki/Ars_Goetia) (*http://en.wikipedia.org/wiki/Ars_Goetia*).* Retrieved Nov 18, 2005